◎译　　名　疯狗

◎片　　名　Cani arrabbiati

◎年　　代　1974

◎产　　地　意大利

◎类　　别　犯罪/惊悚

◎语　　言　意大利语

◎上映日期　1974

◎豆瓣评分　7.4/10 from 261 users

◎豆瓣链接　https://movie.douban.com/subject/1293693/

◎片　　长　96 分钟

◎导　　演　马里奥·巴瓦 Mario Bava

◎主　　演　里卡多·库乔拉 Riccardo Cucciolla

　　　　　　阿尔多·卡波尼 Don Backy

　　　　　　Lea Lander

◎简　　介

　　Rabid Dogs represents the only directorial teaming of the great Mario Bava and his son Lamberto, and it also represents a huge diamond in both directors' filmography. Mario Bava is probably most famous for his work on Gothic horror masterpieces such as Black Sabbath and Black Sunday, while Lamberto Bava made his name with trashy Giallo's such as A Blade in the Dark, and schlock horror the likes of Devilfish. Rabid Dogs, however, is a crime come exploitation flick, and even though this sort of film isn't either man's forte; it's still hands down one of the best movies of its kind. The film works principally because of the way the director's set up the situation and characters. The central plot is really rather thin, but anyone describing the film as 'deep' wouldn't be wrong, and it's down to the way the directors embellish it. The plot follows three criminals who, after botching a robbery, kidnap a woman, a man and his sick child hostage in the man's car, where they instruct him to drive them to safety. However, it's not going to be a smooth ride as tensions heat up between the guilty and innocent inside the car.

　　The way that the characters are set up is masterful, and it's thanks to this that the film works so well. After a while, we begin to be able to see the sorts of decisions that the characters are going to make, and the way that they're all so different ensures the action is always interesting. The vast majority of this movie is set inside a car, and Bava makes best use of his claustrophobic location and uses it well in order to rack up the tension. While Mario Bava is responsible for some of Italy's best horror films, it has to be said that a lot of them aren't all that 'nasty' - but here there is an exception. The director seems to delight in the shocking violence and ritual humiliation inflicted upon his lead characters, and several tense scenes are likely to shock and disturb the viewer. Even though the film doesn't have a lot of variation between its scenes, Bava manages to keep it interesting through the relentless pace and the intelligent dialogue between the lead characters. It all boils down to a superb ending, which while not entirely impossible to guess, does succeed in providing a nice shock. I had a rather difficult time tracking down this film - but it really was worth it, and I recommend every Bava fan do the same!

 患狂犬病的狗代表唯一的导演合作的伟大Lamberto马里奥·和他的儿子,这也代表了一个巨大的钻石在这两位导演的影片集锦。马里奥·可能是,他最著名的工作就是哥特式恐怖杰作如黑色安息日和黑色星期天,当Lamberto Bava把他的名字和没用的黄色的如一片黑暗中,低劣的恐怖像章鱼。患狂犬病的狗,然而,是一个犯罪来剥削电影,尽管这类电影不是这两人的长处,它仍然是手下来最好的电影的类型。电影作品主要是由于导演的设置情况和特点。中央情节是非常薄的,但是任何描述这部电影是“深”不会错的,这取决于它的董事润。情节如下三个罪犯,在修补一个抢劫,绑架一个女人,一个男人和他的生病的孩子作为人质在男人的车,他们教导他开他们的安全。然而,这不会是一个平稳的紧张热之间内疚和无辜的车内。